Sports media
Sagar Patel edits sports video, runs the accounts it lives on, and builds sponsor integrations that hold up when the whistle blows.
01 — What he does
01
Match cuts, hype packages, long-form features.
Game footage into something people finish. Rhythm first: the cut is timed to the crowd, not to a template. Delivery in every aspect the platform asks for, colour and sound handled in the same pass so nothing gets bolted on later.
02
Running the feed, not just filling it.
A posting rhythm built around the schedule — pre-game, live, post-game, off-week. Every asset cut for the surface it lands on. The account gets a voice and keeps it, and the calendar is a document the client can actually read.
03
Turning a logo on a banner into content people watch.
The deal is signed; the work is making it mean something. Segment formats built around the sponsor's actual product, shot lists that earn the impressions, and deliverables mapped to the contract so the recap writes itself.
04
In frame, in context, not in the way.
Placement planned at the shot level and defended in the edit. The product is where the eye already is — the bench, the tunnel, the hand — held long enough to register and short enough to stay invisible as advertising.
Worked with
Client list pending — placeholder names
03 — How it runs
01
What the footage is, who it is for, and the date it has to be live.
02
Shot list, deliverable list, and the posting window it all has to hit.
03
First pass fast, notes in one round, finish in the same session.
04
Every aspect ratio and spec the platforms and the contract ask for.
04 — Start a project
Send the fixture list, the deadline, and what the footage looks like. A reply comes back with a scope and a date, not a questionnaire.
Direct
hello@example.comSay which one this is
Booking editorial and activation work
