Sports media
From LA Clippers game coverage to Fox Sports Radio cuts, Sagar Patel edits sports stories — plus independent documentaries, motorsport, and promos.
Three bodies of work
01 — What he does
01
Match cuts, hype packages, long-form features.
Game footage into something people finish. Rhythm first: the cut is timed to the crowd, not to a template. Delivery in every aspect the platform asks for, colour and sound handled in the same pass so nothing gets bolted on later.
02
Deciding what gets posted, where it goes, and when.
Deciding what gets posted, where it goes, and when.
One show or one game produces far more footage than any feed should carry. The job is choosing the moments worth cutting, sizing each one for the platform it lands on — a long cut on YouTube, the same beat as a Short, a Reel, a TikTok, a clip on X — and putting them out on a rhythm the audience can feel. Same footage, four different edits, four different windows.
03
Turning a logo on a banner into content people watch.
The deal is signed; the work is making it mean something. Segment formats built around the sponsor's actual product, shot lists that earn the impressions, and deliverables mapped to the contract so the recap writes itself.
04
In frame, in context, not in the way.
Placement planned at the shot level and defended in the edit. The product is where the eye already is — the bench, the tunnel, the hand — held long enough to register and short enough to stay invisible as advertising.
03 — How it runs
01
What the footage is, who it is for, and the date it has to be live.
02
Shot list, deliverable list, and the posting window it all has to hit.
03
First pass fast, notes in one round, finish in the same session.
04
Every aspect ratio and spec the platforms and the contract ask for.
04 — Start a project
Send the fixture list, the deadline, and what the footage looks like. A reply comes back with a scope and a date, not a questionnaire.
Direct
sp21films@gmail.comSay which one this is
Booking editorial and activation work
